Sunday, 17 March 2013

Encore Awards (2012 in Review): Actress

Onward, in my quest to complete recapping the year 2012 in cinema.

I would imagine at this point my choice for the top spot is no surprise, but I’m fond of all eleven women making up my top 5 and my finalists. Also, significant kudos to Keira Knightley for two splendid and dissimilar turns this year even if she peculiarly continues to be such a divisive performer.

On with my ballots (click on images for extended thoughts on the respective films)

Greta Gerwig in Damsels in Distress (as Violet Wister)
I suspect I’m still not quite as enamoured with Gerwig as her biggest fans, but her Violet Wister moves me from the category of faint appreciation to legitimate enthusiasm. Stillman’s lovely dialogue is many things but it is does not, as a rule, roll of the tongue and Gerwig’s ability to make it seem so naturally and fun is impressive.

HIGHLIGHT: She's typically great throughout whether instructing us on the important of olfactory senses, the perils of suicide or the etymology of doofuses/doofi. I’m very partial to her reading of “I don't really like the word ‘depressed’. I prefer to say that I'm in a tailspin.”

Nicole Kidman in The Paperboy (as Charlotte Bless)
She attacks the role (as per normal) with a daring and focused quality which turns Charlotte Bless from illusory dream-woman into the peculiar and beguiling object of our affection and disgust. She is neither fetishising nor apologising for the garishness but digging deep to reveal scars.

HIGHLIGHT: Not as aggressive as her other scenes, but the easy, trashy, coolness of that early car conversation with Jack is a beauty from the basic “I’s a swimmer” to “I’m getting horny being this close to him” to the perfectly played lilt of the “these special things called good vibrations”.

Keira Knightley in Anna Karenina (as Anna Karenina)
From Cecilia Tallis onward Keira has found a niche for herself playing abrasive characters we’re charmed into rooting for nonetheless and Anna is the encapsulation of the type. The performance is calling for inherent maturity she’s never shown on screen so kudos to her for balancing Anna’s maternal instincts with her childish adulterous rambling dalliance. She’s become so adept at conveyance emotion through the face the “Anna’s last train” can succeed with no dialogue.

HIGHLIGHT: She gets mileage out of small moments like miming to Stiva to go console Dolly, or a sly utterance of “I know everything” to Kitty and is as effective as needed in more significant moments like the dialogue free Opera confrontation.

Naomi Watts in The Impossible (as Maria Bennett)
That Watts manages to get so much effect out of sustaining various degrees of a single emotion over time is proof of her skill (in case in anyone was in a doubting mood). More than anyone in the cast she has to successfully telegraph emotion with significantly little dialogue to work with. Working through a scene like the rescue from the natives is just a series of sustained sobs. She, remarkably, keeps it gut-wrenching throughout with seeming to deliver a forced performance.

HIGHLIGHT: That look she gives out the window at the film’s end (significantly, again, with dialogue) is a master class in emotion. Maria’s disbelief at surviving, her inability to understand their luck, the sadness at the situation and the relief all sweep across her face.

Rachel Weisz in The Deep Blue Sea (as Hester Collyer)
from my review: And, yet, it is in the moments where there is a paucity of dialogue where Weisz is most luminous – an almost imperceptible sigh as she speaks with her mother-in-law, turning over the words in her head as she considers whether to confess to how many pills she’s taken and a smile to break all hearts as she looks at her “boring” husband feeling nothing, but smiling – as if willing herself to be happy.

HIGHLIGHT: That “Molly Malone” is important not just for the flashback, but watch how with the wind blowing against her Weisz is able to tell us so much about how Hester is feeling with only a few moments of observing her face. Superlative to the nth degree.

FINALISTS: Halle Berry in Cloud Atlas for an ace mystery heroine in Luisa Rae among other characters; Marion Cotillard in Rust and Bone (my #7) for a tough characterisation of a sometimes abrasive character that is not unsympathetic; Kirsten Dunst in Bachelorette (my #6) for taking Regan’s abrasiveness and making them real and funny; Melanie Lynskey in Hello, I Must Be Going for pitching her “loser” divorcee in just the register to be pathetic and inspiring; Emmanuelle Riva in Amour for impressive moderation in avoiding the easiest tricks which could have befallen the character; Meryl Streep in Hope Springs for an astonishingly moving portrayal of a simple woman who still demands out attention. Also, impressive touching of the face

HONOURABLE MENTIONS: Keira Knightley in Seeking a Friend for the End of the World; Juno Temple in Killer Joe; Michelle Williams in Take This Waltz

Previous Citations: Audacious Cinema / Cast and Casting / Cinematography / Forgotten Characters / Openings / Sound and Music / Supporting Actor / Supporting Actress / Writing

4 comments:

Walter L. Hollmann said...

Solid line-up. Weisz's performance is one that I'm sure will grow on me; I didn't embrace her movie, but I like her enough. Watts' nomination (here and at the Oscars) is one I shan't begrudge, for she was quite good, even while sleeping -- seriously: the shallow breathing, unconscious awareness, sleeping fear, all perfectly captured. I'm with on Gerwig, from the first sentence on.

But yeah, Keira and Kidman = Bliss. Had a feeling you'd give Weisz the gold, but at least Charlotte Bless is silver.

Suzy said...

Weisz's performance in The Deep Blue Sea is the first time I've really appreciated her acting ability. She's a good actress but in this film I thought she really excelled.

Fisti said...

Love your ballot! I have yet to see Watts, but the others are pretty incredible, and Weisz and Gerwig are my #1 and #2 of the year so far.

PS - I just found your blog today and have become somewhat obsessed! Can't wait to read more.

Andrew: Encore Entertainment said...

walter i debated with watts, because yes she really isn't DOING much but she's doing it so chillingly perfectly i can't ignore. also, charlotte bless is a dream. it's been a great year for the ladies.

suzy thanks for the continued reading, and thanks for loving weisz, too.

fisti thanks for the praise, hope you keep reading. glad to see some love for wiesz and gerwig.