Saturday, 21 August 2010

Decade in Review, Revisited: 25 Tear Jerking Scenes (Part One)

I got the inspiration for this post months ago from here. I promised to followup since then, and then the meme made me remember how much I cry at movies. I can’t remember the last time I cried in real life (I’m an emotional cripple), but I’m happy to share pain vicariously with fictional characters. It would be too much to trudge through all the films I’ve seen, I’ll stick to the last decade. Today, bottom fifteen in alphabetical order. Next time, the top ten.

Each entry has the potential to be a  spoiler-ish entry, if you haven’t seen it don’t read.
           
Atonement: Tete a tete, En Francais (Guilty Party: Romola Garai)
Briony’s adeptness in what she refers to as “school French” never fails to elicit an eye roll from me. Nonetheless, Atonement I’m already a big fan of Romola here and she’s responsible for one of Atonement’s most moving scenes. The conversation with the soldier seems odd at first, and perhaps it still is, but it works simply because Romola puts so much effort into it. Her eyes are always at work, and though it could be a bit too on the nose it’s still a brilliant moment of poignancy.
          
Avatar: Graces Dies (Guilty Party: James Cameron and Sigourney Weaver)
Call it what you will, but cold would be a dubious accusation to mete out to Avatar. The death of Grace is the most poignant. Maybe it’s because it’s Sigourney, the film’s strongest “actor”…maybe it’s just the realisation of the scope of the destruction that has occurred. Either way, her death is the film’s most moving moment (more than the burning of the tree) and a definite tearjerker.

Away From Her: “Forsaken” (Guilty Party: Julie Christie)
I’m still not certain on how I feel about Away From Her. It seems so manipulative at times, and then starkly honest at others. Either way, I like Julie Christie in it. The moment in the film that always causes me to tear up is the ending. What will happen with Fiona and Grant? Has she really regained lucidity? Alzheimer’s is just a thoroughly depressing disease throughout and Christie just makes it all the more sad.

Babel: Confession (Guilty Party:Boubker Ait El Caid)
Babel had a number of poignant moments, but the most moving came from the arc’s that’s usually most forgotten. The plot point of the two brother’s inadvertent foray into crime fails to hit home at times, but the climax makes it worth it. Boubker Ait El Caid’s confession is brilliant (for a child actor and for an adult) and yes, the words are overly precise. But it doesn’t matter. It’s too distressing for me to care.

Big Fish: The Funeral (Guilty Party: Tim Burton)
Burton gets called out for being too irreverent. Pity those detractors didn’t see Big Fish, one of the decade’s strongest films. The moment where Billy Crudup lifts his father into the water surrounded by all the “characters” we’ve met is the film’s most brilliant scene and it’s oh, so moving. It’s a tribute to parents and it goes to show that Tim Burton really can do anything, perhaps not as prolific as some, but in his own way – still excellent.

Bright Star: Crying (Guilty Party: Abbie Cornish)
It’s Abbie’s strongest moment, which is odd considering that her Fanny is built on keeping her emotions in check. We know John will die, she knows John will die and yet… It’s one of those rare bouts of crying on screen that’s realistic. Even as she says lines like “I can’t breathe” there’s no doubt that she really can’t breathe. It’s the sort of blunt sadness Jane Campion isn’t averse to showing and Abbie rises to the occasion, brilliantly. More of this.

Cold Mountain: Death (Guilty Party: Nicole Kidman)
Although I’d hardly attribute Nicole’s talents to solely being a good reactor, her brilliance in Cold Mountain (yes, brilliance) comprises her stellar ability to the more overt acting of her cast members and make her Ada Munroe work. She has already reacted to a death earlier in the film (her father), but of course it’s Inman’s death that’s the emotional juggernaut. I do think Jude Law is rather good here, but this moment is all Nicole.

Finding Neverland: The Performance (Guilty Party: Kate Winslet)
I have a soft spot for Finding Neverland and though it gets too saccharine at times I’m willing to cut it some slack, particularly in the final moments of Kate’s performance. “Peter Pan” has always been a distressing tale in its own right, and juxtaposed with the eventual death of Sylvia it only becomes more so.

Gosford Park: “Don’t cry, they’ll hear.” (Guilty Parties: Helen Mirren and Eileen Atkins)
I think, at the end of the day Gosford Park is a comedy, but that doesn’t stop Helen from eliciting a few tears. We don’t expect to get so caught up in the revelations of paternity and such, and Helen “perfect servant” Mirren’s confession doesn’t seem that emotional. Of course, she’s putting on a mask. Her stilted entry into the room, and then Eileen’s quiet line reading is just so painful (yet brilliant) to watch.

I’ve Loved You So Long: Confession (Guilty Party: Kristin Scott Thomas)
I’ve Loved You So Long is, in its way, as emotionally manipulative as many. Kristin makes me forget about that. It’s all leading up to inevitable revelation and though it’s just a trifle odd it doesn’t make it any less sad. 2008 was not as poor a film year as many think, a number of gems were just unjustly ignored.

Little Miss Sunshine: A Hug (Guilty Party: Paul Dano)
I still marvel at Paul Dano’s brilliance in Little Miss Sunshine. The scene in question is probably my favourite scene of the film. Dwayne has just had his freak-out with his parents and leaves the bus angrily to sit on the road. Olive comes up behind and gives him a hug that’s so unexpected, and yet do realistic. It’s just one of the many reasons Little Miss Sunshine is as good as we think it is.

A Mighty Heart: Crying (Guilty Party: Angelina Jolie)
Hopefully this will go down as one of the forgotten gems of the last decade. Like Abbie’s moment this is important for the crying, though it’s more a scream than a cry. From the moment Marianne learns of her husband’s death we anticipate waterworks, but the way the waterworks come is so unexpected, almost as if we’re watching something we shouldn’t be privy to. Angelina is so bloody brilliant here.

Mona Lisa Smile: Bicycles (Guilty Party: Kristin Dunst)
Who hasn’t been touched by a teacher in their lives? Mona Lisa Smile has its problems (the cast, though, isn’t one of them). The ending of the film sees the student cast riding bicycles as Julia Roberts’ bohemian teacher departs in the car. It’s Kristin Dunst who steals the moment though. She was the toughest student to win over and her frantic refusal to stop riding (you’re on a bicycle, damn it) is post ridiculous and sad. Letting go just isn’t that simple.

Mystic River: Parade (Guilty Parade: Marcia Gay Harden)
I will forever tout Mystic River as Clint Eastwood’s (lone) masterpiece. Evocative, provocative and poignant. The thing is, I’m never inclined to get teary eyed through out the machination of the main three (even Sean’s bloodcurdling scream or Tim’s moving “confession”). It's as if I’m seeing it, but not feeling it…until the end. When Marcia walks frantically through the street at that dismal parade it’s as if all the drama finally reaches it’s peak and we realise how morose the lives of these people are. And Marcia does it all without uttering a single word. brilliant? I think so too.

You Can Count On Me: Ending (Guilty Parties: Laura Linney and Mark Ruffalo)
I mentioned my allegiance to this sibling pairing a few days ago. It’s the only ending that would have worked for You Can Count On Me, but it doesn’t make Terry’s departure any less sad. What’s the lesson we learned? Sometimes it’s easier to love from afar? I don’t know. Who does? The departure is real though, it works and Laura and Mark delivering brilliant performances is a significant part of that.
   

Have you shed a tear for any of these scenes?
           
(Care to wager which ten films make my top ten? Hints: a quasi stranger in a kitchen, a sexless goodbye in a bedroom, running through the streets, end credits, return of a “ghost”, death of a warrior, voiceover, revelation of truths, montage of characters, a lover’s promise, death of a star. Those are the clues…)

11 comments:

joe burns said...

This was a great post, but I always love your writing. Good choices too!

Simon said...

What really got me about the Little Miss Sunshine hug is that, up until then, I never really thought about the two as siblings. They never really interacted up until then, just right before the freakout.

Jose said...

Spot on with Away From Her, what an awful moment that is.
That disease is so incredibly painful for the people around it but the hope in Christie's eyes is what gets me every time.
Also, I die with Abbie. Period.

I also am a big cry baby with the scene where Julianne Moore finally breaks down in "Far From Heaven", ALL of "Eternal Sunshine of the Spotless Mind", the last scene in "Lost in Translation" and everything Pixar made, including "Cars".

Andrew: Encore Entertainment said...

joe aw shucks joe. thanks for that lovely comment.

simon well he was avoiding eveyrone (though i love the moment where colette is crying and he writes "hug mom" on the page. so nice).

jose really...cars? and abbie and julie...sigh, though i'm glad marion won julie was all types of excellent too.

Twister said...

One of my top ones is the car scene in The Sixth Sense...sends goosebumps up my body. It's really thanks to Collette's fantastic performance. Really powerful and enormously touching.

And from Little Miss Sunshine -- the big scene for me is the "Am I pretty?". The last interaction between Olive and her grandfather is sad but really emotionally true, when it could have easily been false. Breslin was robbed of the Oscar that year, for sure.

TomS said...

Andrew...I was completely wrecked at "Away From Her"....the final scene was moving and then kd Lang's rendition of "Helpless"...I almost had to be carried out of the theater....

I am having trouble deciphering your cryptic clues...here's one of mine.... A lover's quarrel near a stream, and the stoic one collpases with emotion....

Colleen said...

I'm loving this, but I can't believe how many of these I haven't seen so I couldn't read them because I don't want to spoil it!
You Can Count On Me and Little Miss Sunshine YES!

Jess said...

Cold Mountain and Finding Neverland always get me. I'm a sucker for sports movies making me cry, so Rudy gets me every time. Miracle too!

Andrew: Encore Entertainment said...

twister i always thought that race was between cate and adriana but abby was good. still, it's always toni and paul who impress me most here.

tom no fair, tom. i'm good at giving clues not solving...that sounds so familiar i'm probably going to spend all day stressing about it.

colleen glad you like. i'm also very glad i'm not the only one loving sibling emotion.

jess i'm happy i'm not alone on cold mountain, because i often feel as if i am.

filmgeek said...

Hell yes to Little Miss Sunshine, Finding Neverland and Bright Star

Yojimbo_5 said...

You're not alone on Cold Mountain and I recommend the book, too.

And you're spot-on with Mystic River. Like you, I'm always unmoved by Penn's freak-out scene, but Gay-Hardin, particularly after the chilling Laura Linney scene always gets me...and the final miming between Penn and Bacon. Wow.